Frankie and Kim. They had to work their tails off to get our actors zombified. It definitely took its toll on the first day. We were exhausted.
Kevin Rich. He was our 7D camera operator. He was basically on his own, collecting all the shots as we moved forward with the alternate camera. We knew the footage wasn't going to be good coming from the Panasonic 3D cam, so we made sure to get a backup of every shot with the 7D.
The Keene family. I could say a home away from home. I have known them since high school when I took a media class with Ken. He quickly became one of my favorite mentors and a close friend.(below) In addition to being totally awesome and letting us crash at their cabin, Ken was also our "hunter" character.
Frankie and Kim pulled all-nighters on that first day, getting the actors prepped for the shoot. Time was against us, because in the canyon you don't get direct sunlight for the whole day. Once it goes behind the mountain, it gets dark fast.
We used a coated latex resin that we peeled and painted to look like flesh.
Lanly was very busy up to the shoot. Acting as our Producer, she filled many hats, making sure we had snacks, keeping things together, and helping piece together the project. She was also our camera operator for the Panasonic 3D version of the film. It is too bad too, because she is a wonderful photographer, but that camcorder just doesn't help at all.
Much of the story took place in this beautiful open meadow near the creek. Watch out though, the place is littered with spider nests.
A group picture with some of our cast and crew. We had some good fun, despite the busy day!
Frankie and I had a discussion about whether or not to muck up the eyes and teeth of the "Zombie" characters. It might have been an interesting idea, but we decided not to because we didn't want to lose their human quality.
Mo and Xavier - Our zombie best friends.
Frankie - immediately after we got back from day one. He passed out and started snoring right way!
I'm discussing camera position with Lanly and Kevin.
Easily the hardest part of the shoot was lugging equipment up and down this hill, in high elevation. I know I was sore for a few days after the shoot.
Removing all the latex fake skin was both satisfying and painful.
We created a couple custom squibs for shots that needed blood spurts. We had some fun.
Frankie and I discussing the next sequence.
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